THE NOIR INVITATIONAL · Broadcast Production
Phase 2 spec. Full broadcast production package for THE NOIR INVITATIONAL, produced by The Walker Group.
Rebuilt in 2029 alongside Phase 2 event planning.
Broadcast infrastructure required
- Retractable seating for 150-200 attendees around the main studio floor
- Motorized theatrical truss lighting rig (4-6 point Tempest or similar), DMX and sACN controlled
- Broadcast camera positions: 4 hardwired cameras minimum + 2 wireless PTZ, IFB return
- Broadcast audio: Dante network fiber, 32 channel base, 6-channel Shure Axient wireless mics, 4-channel Wisycom IEM
- Reference monitor system: Meyer Sound or L-Acoustics compact line array
- Broadcast control room: 400 sqft, dual-pane STC 45 window into studio, isolated 100A 3-phase power with star ground, redundant fiber uplink (Spectrum Business + AT&T Fiber, 1 Gbps symmetric each)
- Streaming rack: Blackmagic ATEM Constellation or Ross Ultrix routing, direct-to-CDN uplink
- Cyclorama or seamless backdrop system on one wall, motorized
- Perimeter theatrical curtain, motorized
All designed into the Phase 2 buildout, not retrofitted.
Broadcast production team (per event)
- Executive Producer: The Walker Group assigns per event
- Show Director: TWG
- Technical Director: TWG production team
- On-site RF + comms: Dusty at Glen Canyon Audio
- AV rack fabrication + integration: Circle Three Designs (NJ)
- Camera + broadcast crew: contracted per event (typically 10-15 crew)
- Sound engineer: TWG or Dusty
- Lighting designer: TWG production team
Broadcast package deliverables
- Live streaming feed (single feed to primary streaming partner)
- Multi-camera archive for post-production and re-releases
- Highlight package (10-15 minute) for social distribution
- Full event recording for member content library + THE NOIR INVITATIONAL archive
- Post-event interviews filmed in content/podcast studio adjacent to main floor
Full broadcast production spec rebuilt in 2029 by TWG production team.